Jan Boeckhorst

Born in Westphalia, in either Menster or Rees, Boeckhorst moved to Antwerp around 1626. He had a close relationship with Rubens's studio, finishing paintings designed by that master as well as assisting with large series such as the joyous entry of Cardinal-Infante Ferdinand in 1635 and the Torre de la Parada. He also collaborated as a figure painter in landscapes and still lifes by Jan Wildens and Frans Snyders, and sometimes painted lively group portraits.[1] He traveled to Italy in the years 1635-1639 and joined the Bentvueghels with the nickname Lange Jan (Tall John). Cornelis de Bie, in his Gulden Cabinet der Edel Vry Schilderconst (The Golden Cabinet of the Honourable Free Art of Painting; 1662), remarks that Boeckhorst was a student of Jordaens. Works in that master's style include large genre paintings of the 1640s such as Peasants going to Market (Antwerp, Rubenshuis), which also acts as an allegory of the four elements. In the 1650s and 1660s Boeckhorst painted altarpieces for churches throughout Flanders and designed cartoons for tapestries.
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Jan Boeckhorst Apollo and the Python oil painting


Apollo and the Python
ID de tableau::  86576
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Apollo and the Python
17th century Medium Oil on canvas Dimensions 59.9 x 51.2 cm (23.6 x 20.2 in) cyf
17th_century _ Medium_Oil_on_canvas _ Dimensions_59.9__x__51.2_cm_(23.6__x__20.2_in) _ cyf
   
   
     

Jan Boeckhorst Achilles among the daughters of Lycomedes oil painting


Achilles among the daughters of Lycomedes
ID de tableau::  98057
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Achilles among the daughters of Lycomedes
after 1650(1650) Medium oil on canvas Dimensions 129.5 x 179.5 cm cyf
after_1650(1650)_ Medium_oil_on_canvas_ Dimensions_129.5_x_179.5_cm_ cyf
   
   
     

  1
Artiste précédent       Artiste prochain     

     Jan Boeckhorst
     Born in Westphalia, in either Menster or Rees, Boeckhorst moved to Antwerp around 1626. He had a close relationship with Rubens's studio, finishing paintings designed by that master as well as assisting with large series such as the joyous entry of Cardinal-Infante Ferdinand in 1635 and the Torre de la Parada. He also collaborated as a figure painter in landscapes and still lifes by Jan Wildens and Frans Snyders, and sometimes painted lively group portraits.[1] He traveled to Italy in the years 1635-1639 and joined the Bentvueghels with the nickname Lange Jan (Tall John). Cornelis de Bie, in his Gulden Cabinet der Edel Vry Schilderconst (The Golden Cabinet of the Honourable Free Art of Painting; 1662), remarks that Boeckhorst was a student of Jordaens. Works in that master's style include large genre paintings of the 1640s such as Peasants going to Market (Antwerp, Rubenshuis), which also acts as an allegory of the four elements. In the 1650s and 1660s Boeckhorst painted altarpieces for churches throughout Flanders and designed cartoons for tapestries.

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